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The Three Graces, here in a painting by Sandro Botticelli, were the goddesses of charm, beauty, nature, human creativity and fertility in Greek mythology.
The Three Graces, here in a painting by Sandro Botticelli, were the goddesses of charm, beauty, nature, human creativity and fertility in Greek mythology.
Fiction is storytelling of imagined events and stands in contrast to non-fiction, which makes factual claims about reality. A large part of the appeal of fiction is its ability to evoke the entire spectrum of human emotions: to distract our minds, to give us hope in times of despair, to make us laugh, or to let us experience empathy without attachment. Fictional works— novels, stories, fairy tales, fables, films, comics, interactive fiction—may be partly based on factual occurrences but always contain some imaginary content. The term is also often used synonymously with literature and more specifically fictional prose. In this sense, fiction refers only to novels or short stories and is often divided into two categories, popular fiction (e.g., science fiction or mystery fiction) and literary fiction (e.g., Victor Hugo or William Faulkner).Fiction is largely perceived as a form of art and/or entertainment, although not all fiction is necessarily artistic. Fiction may be created for the purpose of educating, such as fictional examples used in school textbooks. Fiction is also frequently instrumentalized by propaganda and advertising. Fiction may be propagated by parents to their children out of tradition (e.g. Santa Claus) or in order to instill certain beliefs and values. Fables with an explicit moral goal are not necessarily targeted at children, however.Fiction may over time blend with factual accounts and develop into mythology. Many atheists perceive religion as no different from any fictional tale, whereas members of religious groups typically explain their beliefs with faith and claim they are fundamentally different from fictional tales (although they may call other religious views fictional). The sociological school of constructivism argues that every view of reality is fundamentally a construction of the self and that a safe distinction between fact and fiction is impossible, whereas the philosophy of naturalism holds that reality can be approximated and truth can be demonstrated through usefulness, allowing the distinction from fiction.Fiction has often been the target of censorship or boycotts, escalating into book burnings or bans. Extremist regimes like the Taliban have been even more prohibitive, restricting all reading to religious texts. There is an ongoing debate regarding sexual content in fiction and whether or not juveniles can be safely exposed to it; opponents of fiction with sexual content typically label it pornography.The Internet has had a massive impact on the distribution of fiction, calling into question the feasibility of copyright as a means to ensure royalties are payed to copyright holders. Also digital libraries such as Project_Gutenberg have come into being which make public domain texts more readily available. The combination of inexpensive home computers, the Internet and the creativity of its users has also led to new forms of fiction, such as interactive computer games or computer-generated comics. Countless forums for fan fiction can be found online, where loyal followers of specific fictional realms create and distribute derivative stories. Through open writing systems like wikis, collaboratively written fiction is also becoming possible (see the Wikifiction initiative).Fiction is a fundamental part of human culture, and the ability to create fiction and other artistic works is frequently cited as one of the defining characteristics of humanity.

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Contents

Elements of fiction



Elements of fiction - Contents

The fiction writer might use the following to create artistic effects in his or her story:
  • antagonist: the character that stands in opposition to the protagonist
  • character: a participant in the story, usually a person
  • conflict: a character or problem with which the protagonist must contend
  • climax: the story's highest point of tension or drama
  • dialogue: the speech of characters as opposed to the narrator
  • plot: a related series of events revealed in narrative
  • point of view: the perspective of the narrator; usually refers to the voice, first or third person.
  • protagonist: the central character of a story
  • resolution: the plot component in which the result of the conflict is revealed
  • scene: a piece of the story showing the action of one event
  • setting: the locale and time of a story that creates mood and atmosphere
  • structure: the organization of story elements
  • subplot: a plot that is part of or subordinate to another plot
  • theme: a conceptual distillation of the story; what the story is about
  • suspension of disbelief: the reader's temporary acceptance of story elements as believable, usually necessary for enjoyment
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